A fundamental study. Galeries Nationales du Grand Palais. Texts by F.
RECOVERING AUTHORS: THE MODERN COPY, COPY EXHIBITIONS AND MATISSE
Cachin, I. Cahn, C. Stuckey, C. Groom, R. Type-design by Eric Gill. One of the earliest productions of the Cranach-Presse. The rare first edition. Cranach-Presse Verzeichnis 16 ; Lucas p. From the library of Jean Alazard. Lucas p. Art Institute of Chicago. With the assistance of Peter Zegers.
I: Catalogue. Limited edition. Sa vie, son oeuvre. Catalogue by Merete Bodelsen. Letters to an Artist. Introduction by Walter Pach. Paintings, drawings, sketches. His paintings and drawings. Zweite Auflage. National Gallery of Victoria. His sources, genius and influence. Curator: James Mollison.
List of women in the Heritage Floor - Wikipedia
Assistant curator: Peter Denham. Numerous text illus. Galerie Schmit. May-July Publisher's cloth. Lettres de jeunesse, Galerie Matthiesen. Texts by Emil Waldmann, Max J. Yale Historical Publications.
History of Art. Stout 4to.
Methods, Strategies, Tactics
Texts in Danish and English. National Gallery. By Michael Wilson. Presentation copy, inscribed by the author to Agnes Mongan. MANET, Moffett, in collaboration with Michel Melot. English-language edition. Abrams , Paintings and drawings. Aquafortiste et lithographe.
M. Knoedler & Co. records Finding aid for the M. Knoedler & Co. records, approximately
I: Peintures. II: Pastels, aquarelles et dessins. One hundred paintings, drawings, prints, and photographs by Manet and his contemporaries. Chicago The University of Chicago Press , Manet par Bracquemond et d'une eau-forte d'Ed. Among the profusion of objects is a blue, paper-covered pamphlet that bears the artist's name and serves as the painting's signature. This is the pamphlet that was published for Manet and Zola by Dentu on the occasion of Manet's major one-man exhibition in May Zola had suggested the idea of putting the brochure on sale at Manet's exhibition, held in a pavilion built at the artist's expense off the avenue de l'Alma The idea of the pamphlet developed during the months preceding the opening of the exhibition in May, and a very friendly letter from Manet to Zola provides the best information concerning the project.
Manet responded positively to Zola's proposal, suggesting the inclusion of 'an etched portrait of me at the front' and asking for details of 'the format of the pamphlet so that I can have the etching printed' that is, Bracquemond's etching after a photograph of Manet by Camentron.
After sealing the letter, Manet reopened it, having remembered that "I recently made a woodblock after Olympia, which was intended for Lacroix's Paris-Guide," adding that "if it didn't cost us too much, we could insert it Printed in an edition of impressions for this pamphlet, this reproduction of the painting Zola considered the artist's 'chef-d'oeuvre' is a proof of their friendship and their joint efforts for the success of Manet's exhibition.
The price and the number sold are unknown, but it is likely that the illustrated pamphlet was appreciated only by the 'devotees and people of refined taste' referred to in Babou's review" Juliet Wilson Bareau, in the Metropolitan Museum catalogue. Intermittent light foxing, not affecting the prints; a clean and crisp example.
Avant-propos: Jacques Lassaigne. L'Homme: Pierre Cabanne. L'Oeuvre: Alain Mousseigne. Notes biographiques: Jean-Pierre Manguin. One of numbered copies on Japon, from the limited edition of copies.
Galerie Thannhauser. March-May Patrice Marandel. Collection "Le Peintre et l'Homme. Sa vie, son temps, son oeuvre. Square 4to. Presentation copy, inscribed by the author to Alfred H. Barr, Jr. Freitag citing second edition. Photographic and editorial research: Jean-Marie Toulgouat. Sale, Dec. Collection "Les Documents d'Art. Acquavella Galleries. Text by Andrew Forge.
Texts by Philippe de Montebello, Charles S.